posted in: Light, Medium | 1


When thinking of aluminum, kitchen foil may come to mind. Shiny on one side, matte on the other. Aluminum foil is generally 1.8 – 2.5 microns thick. Leaf at 0.4 – 0.8 microns is fragile but equally capable of excessive reflection and matte finish. Using aluminum leaf, I find the shine overwhelming, the outcome unexpected, and a metal weird in its oxidization traits and absence of tarnish.



Joan Martin, ‘Sipario Perspective 1’, aluminum leaf and acrylic painting photographed and digitally projected on cube, 2018

The challenge in working with metal leaf is adjusting underlying surface qualities that affect reflected light. The super shine of aluminum leaf seems to magnify the challenge making the process both compelling and frustrating. A change in light or viewer location – the image morphs. Above piece combines two different viewpoints of the same image in natural daylight.



NileRed, ‘Mercury on Aluminum’, alloy amalgamation video frame at 4:29.
Photo via youtube-aluminumandmercury

The video frame is from a time lapse of a mercury blob’s interaction with aluminum. With the protective oxide layer of the aluminum plate removed where the mercury will be placed, the mercury is able to initiate a fragile amalgam formation of aluminum oxide that grows in height and width and collapse as it crawls across the plate.



Kader Attia, ‘Ghost’, aluminum foil installation, Saatchi Gallery, London 2007
Photo via telegraphUK

Expansive use of aluminum foil presents a discordantly cold but softly reflective portrayal of shrouded ghost-like women. An unexpected and jarring contrast of light occurs against darkness within empty figures and harshness of the disturbing political context that speaks of women and religion.


One Response

  1. La
    | Reply

    How brilliantly imaginative.

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